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Saturday, 02 June 2018
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Cabinet_front.jpg
Cabinet_front.jpgCabinet front closed152 viewsThe carcase and frame is all made from a single 40 year old air dried Appalachian black walnut board. The two panels are resawn and book matched from a single off cut of Indiana black walnut saved from the burn pile. The finish is four coals of 1-pound cut amber shellac, well rubbed out with 0000 steel wood after each coat. The whole is finished with a coat of Liberon brown paste wax. The knob is an ebony violin tuning peg. Closure is achieved by a rare earth magnet and a steel screw.Sgt42RHR
cabinet_open_empty.jpg
cabinet_open_empty.jpgCabinet open and empty132 viewsThis is the inside showing the poplar back and the reverse of the book matched front panels. The hangers are 1 1/2 inch Tremont cut finishing nails set in pre-drilled holes with a dab of CA glue.Sgt42RHR
IMG_20170807_130722.jpg
IMG_20170807_130722.jpgmakeshift reamer25 viewstaper reamer turned on pole lathe, using hacksaw blade for the cutter.dlarue
shelf2.jpg
shelf2.jpgunfolding24 viewsunfolding the shelves.
I cannot believe I actually cut that many hinge mortices and they all line up!
dlarue
IMG_20170402_101624.jpg
IMG_20170402_101624.jpgdont buy that30 viewsa stanley 45 plow plane for a good price, despite the missing knob and only the one cutter.
I resisted the urge to buy it as I already have a couple of these.
dlarue
Vcutter.jpg
Vcutter.jpgV wotsit cutter33 viewsbugbear
Egyptian_Chair_-_back_rear_view.JPG
Egyptian_Chair_-_back_rear_view.JPGback view prior to cutting any tenons 33 viewsjerkinsj
IMG_6115.JPG
IMG_6115.JPGcutting mortises for chair top rail31 viewsjerkinsj
ArmstrongPipe.jpg
ArmstrongPipe.jpgArmstrong #2 Die Set40 viewsview without the pipe handles and the giant pipe cutter that came with nicknaylo
Massachusetts_low_chest_front_left_oblique_view.jpg
Massachusetts_low_chest_front_left_oblique_view.jpgLeft oblique view118 viewsThis is a western Massachusetts low chest, more plain and primitive than a Boston-made version. I used Moser's Honey Amber Maple waterborne aniline dye to get the color of aged maple. I applied a single coat of gloss wiping varnish after applying the dye. Next, I applied five coats of one-pound cut amber shellac. I then carefully applied and scrubbed away with mineral spirits a dark glaze in the fillets, corners, etc. to accentuate the moulding details. Last a sixth coat of one-pound cut amber shellac.Sgt42RHR
Massachusetts_low_chest_back_view.jpg
Massachusetts_low_chest_back_view.jpgBacking boards87 viewsAll secondary wood in this piece is poplar. The backing boards have one coat of one-pound cut amber shellac on them. I was surprised that a couple of the boards were almost brown, unusual for poplar.Sgt42RHR
Cornice_moulding_right_side.jpg
Cornice_moulding_right_side.jpgCornice moulding detail right column103 viewsThe glaze which I applied and then removed between the 5th and 6th coats of one-pound cut shellac really causes the changes in the shape of the moulding to be much more noticeable.Sgt42RHR
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